The construct of women as “sexual
deviants” certainly begins with the apple. Eve’s uncontrollable appetite
seems to become a metaphor for female desire, which throughout history has been
a censured and controversial subject matter. In Victorian Literature and the Anorexic Body, Anna Krugovoy Silver
suggests that: “Victorians used to define the ideal woman [as] – spiritual,
non-sexual, self-disciplined” (3). Before Eve eats the fruit, she is the embodiment
of all these qualities. Yet, after she eats the fruit, she loses all these qualities. This is
further explored in books four and nine of John Milton’s "Paradise Lost".
In this passage, Eve’s
movements are being described as impulsive through the words “rash” and
“plucked”. As Eve devours the fruit, Earth “[feels] the wound” and it is
interesting to note that the Earth is gendered as a she, who in this moment can
metaphorically be seen as the object of consumption. This is because when Eve
eats the apple, she essentially eats away at the paradise God creates for her
and Adam. Eve transgression spurs on her
voracious appetite, she greedily “[engorges] without restraint… heightened with
wine, jocund and boon” (9.791 -973). She
is intoxicated by the fruits power... And in some ways, this can read as an
orgasmic experience because the word 'heightened' suggests the heightening of a
type pleasure. In Tamar Heller and Patricia Moran's Scenes of the Apple, they
call this experience with food 'libidinal' which is a "bodily and sexual experience
[that] draws on the dual association of the mouth"(3). This could be why eating
the apple changes both Adam and Eve’s perception of each other. Their initial
hunger/appetite for the apple, develops into a sexual hunger, which they now
have for each other: “he on Eve / Began to cast lascivious eyes, she him / As
wantonly repaid; in lust they burn” ”(9.1013-1015). We know what happens next!
Nonetheless, Eve is blamed for the incident and is
"despoiled"(9.1138) of any ideal qualities, and this because she
lacks "control over [her] body and its desires are enacted through the
[lack of] control of food intake"(Silver, 52).
Overall,
this first image of the apple is an example of its negative symbolism. The idea
of temptation becomes a prominent theme which seems to be at the crux of
children's literature, where we often see children praised for denying their
appetites and equally punished for caving into them. In my next post, we will
be looking at the apple from Snow White.
References
Heller, Tamar, and Patricia
Moran. Scenes Of The Apple. Albany: State University of New York
Press, 2003. Print.
Milton, John, and Gordon Teskey. Paradise
Lost. New York: W.W. Norton, 2005. Print.
Silver, Anna Krugovoy. Victorian
Literature And The Anorexic Body. Cambridge, UK: Cambridge University
Press, 2002. Print.
I really enjoyed your close reading of the apple in Paradise Lost in this post. Look forward to reading your Snow White post!
ReplyDeleteThank you! Looking over Paradise Lost with food in mind actually made reading it again easier! :)
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